Selected Works
„Sommeil Magnétique“ (2023-24)
Solo VR-Opera for Soprano, Tape and Virtual Environments
Written for and premiered by Sophia Körber.
„Paratopic“ (2024)
Interactive digital game-score for Electric Guitar and FXs
Written for and premiered by Seth Josel.
„Lost Dungeons, Forbidden Woods“ (2023-24)
Role-playing dungeon crawler suite for live-electronic ad lib. Interactive digital score.
Written for and premiered by Roman Rofalski.
„I’m Perfectly Awake“ (2023-24)
Amnesic diary entires for prepared piano and additional electronics.
Written for and premiered by Malgorzata Walentynowicz. => VIDEO
„SITELESS“ (2023)
Series of audiovisual immersive environments, VR Installation.
„3 Pieces for Viola and Electronic Tape“ (2023)
written for and premiered by Krzysztof Komendarek-Tymendorf.
1. „Magnetic Monopole“
2. „Chromodynamics“
3. „Stochastic 303 Acid“
„Out of Bounds — Solo Version“ (2023)
Audiovisual exploration of non-existing liminal spaces. AI photography & aural-design.
Solo A/V Performance. => VIDEO
„Clock-Drawing Test“ (2022-23)
Psychometric suite for electric guitar, walkman cassette players & effect pedals.
Written for and premiered by Seth Josel. => VIDEO
„Walking Backwards: Notations For a Purposeful Drift“ (2023)
10 psychogeographic notations for ensemble with instruments and found objects.
Written for and premiered by ensemble hand werk. => VIDEO
„Dictionary of Topographic Forms“ (2022-23)
Topographic etudes for an MPE Keyboard and tape.
Written for and premiered by Marina Baranova.
„Satan’s Rhetoric“ (2023)
Two inquiries in demonic mediation for piano and a KORG ROMpler Synthesizer ad lib.
Written for and premiered by Ashley Hribar.
„The Trod: Incidental Music for Walking Along Fairy Paths“ (2023)
For Fender Rhodes with additional electronics ad lib.
Written for and premiered by Roman Rofalski. => VIDEO
„Splendor Solis“ (2022-23)
Alchemical suite for harp, mandolin and guitar.
Commissioned and premiered by sixty1strings trio.
„Music with Plants“ (2021)
4 electro-acoustic biofeedback études exploring the idea of non-intentional musical creation.
Feat. ensemble hand werk. => VIDEO
„Death by Landscape“ (2021)
Tape-loop video micro-opera based on a short story by Margarett Atwood.
Voice: Line Bøgh. => VIDEO
„Displaced Confidentiality“ (2020)
Six electroacoustic pieces, to be performed in the absence of any audience:
Exploration into a new kind of musical intimacy. (Composed during the Covid19 pandemic)
1. „Intangible Collisions“
2. „The Hesitation Loops“
3. „For Harold Budd“ (with Marina Baranova)
4. „Horus of the Double Horizon“
5. „Notturni“
6. „Pastorale“ (with Hainbach, aka Stefan Goetsch)
„This is Nowhere and it’s Forever (for Mark Fisher)“ (2018)
A/V installation based on silent film footage. Explorations into dark phenomenology.
„STLLR: Anthology“ (2016-2019)
feature-length experimental 3D animation film and video installation; duration: 50min.
Sponsored by nordmedia - Film- und Mediengesellschaft Niedersachsen / Bremen mbH
„Children’s Album: 90s Cassette Tape Collection“ (2017)
Non-melancholic research into euro trash and 90s MTV culture. For pipe-organ.
Commissioned by: Bayerischer Rundfunk; premiered at: Podium Festival Esslingen 2017.
„Ecartele“ (2016)
Imaginary soundtrack for a discontinued movie (duration: 45min.)
for String Quartet, Piano and Electronics; Duration: 45min. For Szymanowski Quartet
„Time Is a Cycle During Which All Stars All Exiled“ (2015)
Graphic score commissioned by the Circle Line Project.
Premiered at: Ankunft - Neue Musik, Berlin.
„Diversions: 11 Renaissance Dances Recomposed“ (2015)
For clarinet, mandolin, cello, percussion, piano and electronics (duration: 40min.)
Premiered at the Berliner Philharmonie with David Krakauer (Clarinet, NYC).
„STELLAR - Wandering Stars Suite“ (2014)
Suite for harpsichord, celesta, electric and acoustic guitars, electronics (duration: 45min.)
Written for and premiered by Marina Baranova and Frank Bungarten.
„TRIANGULATION“ (2013)
A/V performance for two pianos, live-electronics & visuals (duration: 50min.)
Commissioned by: Werkbund Nord e.V.; premiered at: Beethoven Fest 2013 in Bonn
„11 Verweigerungen des logischen Gedankenflusses“ (2011)
Adult notations for a children theater play based on stories by Daniil Kharms.
For accordion, clarinet, percussion, voice, additional toy instruments and objects.
„død“ (2010, unfinished)
song cycle based on lyrics from following pop and black-metal songs:
- „Suicide is Painless“ (M.A.S.H. Original Soundtrack),
- „Love Will Tear Us Apart“ (Joy Division, from „Substance“),
- „Death - Pierce Me“ (Silencer, from „Death - Pierce Me“) ,
- „Siamese Twins“ (The Cure, from „Pornography“),
- „Quintessence“ (Darkthrone and Grishnákh, from „Panzerfaust“)
„FN0RD“ (2010-11)
Electronic cycle inspired by obsolete and imaginary chemical elements (duration: 45min.)
Commissioned by ZKM Karlsruhe. In collaboration with Laboratoire ACROE, Grenoble.
„Strange Beauty of Second Use“ (2009)
Card deck piece & collectable graphic-design object (duration: scalable)
For turntables, electric guitar, synthesizer and voice. Premiered at ZKM, Karlsruhe.
„Chopin: Variations Cybernétique“ (2008)
Music for dance performance „Peering“
Partially based on music by F. Chopin. Commissioned by: Compagnie Fredewess
„Blue Notebook Nr. 10“ (2008)
For percussion (with voice, midi drum set, custom maxMSP patch); duration: 12min.
Based on a short-story by Daniil Kharms. Written in collaboration with Oleg Dziewanowski.
„Space Place Object“ (2008)
Sonic jewelry, collection of 92 static sound-objects for String Trio, Harp, Piano & Percussion.
Written for and premiered at the Kestnergesellschaft Hannover.
„Temp 1-3“ (2007)
Semi-generative live-electronic cycle for one performer.
Premiered at the Wittener Tage für neue Kammermusik Festival.
„Coke Spoon: 14 Miniatures for a Discontinued Object“ (2007)
Self-indulgent sonic miniatures for string trio, piano, oboe & percussion.
Commissioned by the „CITIZEN:citizen“ brand as a soundtrack for an object by Tobias Wong.
„Cypher“ (2006)
Etude cryptique for pipe-organ solo.
Commissioned by: Orgel Festival Hannover.
„Reden Verboten, Schweigen Unmöglich“ (2005)
Radiophonic cycle for alt-saxophone, prepared piano and percussion.
With Marina Baranova and Oleg Dziewanowski; commissioned by: NDR Hannover.
„Descent“ (2005)
Chamber video-opera for ensemble and voice; duration: 30min.
Based on „Memories, Dreams, Reflections“ - an autobiographical book by C.G.Jung.
„Plunderphonics for Piano“ (2004)
For piano solo; duration: 12min.
„Soundtrack for an Interrupted Dream“
Early electronic music cycle, written before 2004, consists of more or less 20 pieces.